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Jim Reeves - Writes You A Record Sealed 8-track tape
Louisiana Hayride was one of the most popular live country music broadcasts in the nation, and it often served as a proving ground for performers who later moved on to the pinnacle of country music, the Grand Ole Opry. Reeves became the announcer for Hayride, performing there only occasionally until one Saturday evening in 1952 when country great Hank Williams failed to show for a scheduled appearance. Reeves filled in, and a member of the audience, Fabor Robison, soon thereafter signed him to a contract with his Abbott Record Company. The relationship with Abbott paid off immediately for Reeves; his second release on the label, "Mexican Joe," reached Number One in 1953. In 1956 he received a gold record for the single "Bimbo," a song that earned Reeves the nickname "Bimbo Boy."
This success caught the attention of major labels, and in 1955 Reeves signed with RCA. That year he also joined the Grand Ole Opry, but Reeves's star was just beginning to rise. From 1955 through 1968--four years after his death--not a year went by without Reeves having at least one single in the Top Ten. At the beginning of this period, Reeves's sound began to change; his earliest recordings with RCA had a traditional honky-tonk sound, complete with fiddles and steel guitars, but in the late 1950s, he and his producer, revered guitarist Chet Atkins, began selecting songs more suited to Reeves's soothing, baritone voice. While the arrangements for these numbers were more orchestral in nature, their subject matter remained firmly in the honky-tonk vein.
Because this tape is sealed new and we cannot inspect for play-ability, we offer no warranty or guarantees on how well this tape will perform once it is opened and removed from the cellophane package. Because this sealed new 8-track tape is very old, the foam pad and glue on the foil splice most often has a tendency to deteriorate over many years of time. Always inspect and replace if necessary those items before playing any sealed new 8-track tape, or damage to the tape and player may occur.
If you would like this new sealed tape gently opened and inspected for play-ability with a new pad and foil splice added, please go to "New 8-track tape repair" in the New 8-track tape category and we will gladly perform the work for you. Please be sure to select the number of repairs needed for the amount of sealed tapes you are purchasing.
This success caught the attention of major labels, and in 1955 Reeves signed with RCA. That year he also joined the Grand Ole Opry, but Reeves's star was just beginning to rise. From 1955 through 1968--four years after his death--not a year went by without Reeves having at least one single in the Top Ten. At the beginning of this period, Reeves's sound began to change; his earliest recordings with RCA had a traditional honky-tonk sound, complete with fiddles and steel guitars, but in the late 1950s, he and his producer, revered guitarist Chet Atkins, began selecting songs more suited to Reeves's soothing, baritone voice. While the arrangements for these numbers were more orchestral in nature, their subject matter remained firmly in the honky-tonk vein.
Because this tape is sealed new and we cannot inspect for play-ability, we offer no warranty or guarantees on how well this tape will perform once it is opened and removed from the cellophane package. Because this sealed new 8-track tape is very old, the foam pad and glue on the foil splice most often has a tendency to deteriorate over many years of time. Always inspect and replace if necessary those items before playing any sealed new 8-track tape, or damage to the tape and player may occur.
If you would like this new sealed tape gently opened and inspected for play-ability with a new pad and foil splice added, please go to "New 8-track tape repair" in the New 8-track tape category and we will gladly perform the work for you. Please be sure to select the number of repairs needed for the amount of sealed tapes you are purchasing.
