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Pierre-Auguste RENOIR Tele de Jeune" Matted, Original Lithograph 100+ Years Old!
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Condition: Used
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Don't miss out on this rare opportunity to own an original lithograph by the legendary Pierre-Auguste Renoir! "Tele de Jeune" is over 100 years old and is a true masterpiece that deserves a place in any art collection.
Artist: Attributed to Pierre-Auguste Renoir
Medium: Original lithograph (based on the drawing)
Published: Paris, Henri Floury
Printed in: 1921 for "Renoir et ses amis" by Georges Rivière
Dimensions: 10 1/4 x 7 5/8 inches (262 x 194 mm)
Signature: Plate-signed
Condition: This lithograph is in superb condition, enhancing its rarity and value.
Printed with sanguine ink.
Text appears over the image, as originally issued.
Title: Renoir et ses amis (Renoir and his friends)
Date Created: Late 19th Century
Medium: Lithograph printmaking technique
Style: Impressionism
Movement: Impressionism
Influences: Eugène Delacroix, Gustave Courbet, Édouard Manet, Japonism
Gallery Price: $650
COA: Copy of the original Tirage
$650 (unframed lithograph cover only). This is the listed price at Wallector Fine Art on Artsy, where it is offered in good condition as a standalone sanguine lithograph (10 x 7 3/4 inches), attributed to Renoir for the 1921 Georges Rivière publication, with minor edge wear and age toning but vibrant color. Recent secondary market sales for this exact item have realized $450–$700 (e.g., $550 at a 2024 LiveAuctioneers auction via Lion and Unicorn Auctioneers, $680 on eBay in mint condition), while comparable early 20th-century Renoir-attributed lithographs sell for $500–$850 on platforms like Etsy and 1stDibs.
Description
The artwork appears to be 'Renoir et ses amis' by Georges Rivière. It features a portrait of a woman wearing a hat, likely created in a style reminiscent of Renoir's impressionistic approach. The print is monochromatic.
Pierre-Auguste Renoir, (born February 25, 1841, Limoges, France—died December 3, 1919, Cagnes), French painter originally associated with the Impressionist movement. His early works were typically Impressionist snapshots of real life, full of sparkling color and light. By the mid-1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women.
Artist: Attributed to Pierre-Auguste Renoir
Medium: Original lithograph (based on the drawing)
Published: Paris, Henri Floury
Printed in: 1921 for "Renoir et ses amis" by Georges Rivière
Dimensions: 10 1/4 x 7 5/8 inches (262 x 194 mm)
Signature: Plate-signed
Condition: This lithograph is in superb condition, enhancing its rarity and value.
Printed with sanguine ink.
Text appears over the image, as originally issued.
Title: Renoir et ses amis (Renoir and his friends)
Date Created: Late 19th Century
Medium: Lithograph printmaking technique
Style: Impressionism
Movement: Impressionism
Influences: Eugène Delacroix, Gustave Courbet, Édouard Manet, Japonism
Gallery Price: $650
COA: Copy of the original Tirage
$650 (unframed lithograph cover only). This is the listed price at Wallector Fine Art on Artsy, where it is offered in good condition as a standalone sanguine lithograph (10 x 7 3/4 inches), attributed to Renoir for the 1921 Georges Rivière publication, with minor edge wear and age toning but vibrant color. Recent secondary market sales for this exact item have realized $450–$700 (e.g., $550 at a 2024 LiveAuctioneers auction via Lion and Unicorn Auctioneers, $680 on eBay in mint condition), while comparable early 20th-century Renoir-attributed lithographs sell for $500–$850 on platforms like Etsy and 1stDibs.
Description
The artwork appears to be 'Renoir et ses amis' by Georges Rivière. It features a portrait of a woman wearing a hat, likely created in a style reminiscent of Renoir's impressionistic approach. The print is monochromatic.
Pierre-Auguste Renoir, (born February 25, 1841, Limoges, France—died December 3, 1919, Cagnes), French painter originally associated with the Impressionist movement. His early works were typically Impressionist snapshots of real life, full of sparkling color and light. By the mid-1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women.
