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Shadow of the Vampire (2001)
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Actors: John Malkovich, Willem Dafoe, Udo Kier, Cary Elwes, Catherine McCormack
Directors: E. Elias Merhige
Format: Closed-captioned, Color, DVD-Video, Widescreen, NTSC
Language: English, German
Region: Region 1 U.S. and Canada only.
Aspect Ratio: 2.35:1
Number of discs: 1
Rating: R
Studio: Lions Gate
DVD Release Date: June 17, 2003
Run Time: 91 minutes
ASIN: B000092T3U
Clever, engaging, and boosted by the sublime casting of Willem Dafoe as Nosferatu actor Max Schreck, Shadow of the Vampire is a film full of good ideas that are only partially developed. Its premise is ripe with possibilities, but the movie's too slight to register much impact, so you're left to relish its delightful performances and director E. Elias Merhige's affectionately tongue-in-cheek homage to a landmark of German silent cinema. John Malkovich is aptly loony as the eccentric director F.W. Murnau, whose passion in filming the 1922 classic Nosferatu leads to the extreme casting of Schreck as the vampire, a vision of evil who, in this movie's delightfully twisted imagination, actually is a vampire, sucking the blood of cast and crewmembers who've dismissed Schreck as an overzealous method actor.
As these on-set maladies and "accidents" continue, Schreck wields greater control over Murnau, who descends into a kind of obsessive art-for-art's-sake madness until diva costar Greta Schroeder (Catherine McCormack, doing wonderful work) is served up as the actor's ultimate motivation. Merhige and his actors (including Cary Elwes, as intrepid cameraman Fritz Wagner) have great fun with this ghastly escapade, and the humor is kept delicately subtle to balance the movie's artistic aspirations. To that end, Dafoe is just right, his bald pate and gaunt features a perfect match for the mysterious Schreck, his grimace and talon-like fingers suggesting a human vulture on the prowl. Likewise, the re-creation of Nosferatu's expressionist style is both fanciful and brilliantly authentic. Too bad, then, that this movie suffers a mild case of vampiric anemia; if it shared the depth and richness of, say, Ed Wood, this might have been a cult classic for the ages. --Jeff Shannon
From The New Yorker
Or, how to blow a really good idea. The director E. Elias Merhige, noting the deathless appeal of F. W. Murnau's "Nosferatu," has decided to re-create the making of the film. We are transported to nineteen-twenties Berlin for scenes of dreary decadence and from there to a rural movie set, where the obsessive Murnau (John Malkovich) struggles to control the eccentric conduct of Max Schreck (Willem Dafoe), his leading man. "Nosferatu" was one of the earliest "Dracula" adaptations, and it remains the best, but you would never know that from the amateurish mania that prevails here. Merhige buys happily into the rumor that Schreck was a real vampire-bad news for Catherine McCormack, who plays the love interest, and finds that Schreck is only interested in her neck. -Anthony Lane
Copyright © 2006 The New York
Directors: E. Elias Merhige
Format: Closed-captioned, Color, DVD-Video, Widescreen, NTSC
Language: English, German
Region: Region 1 U.S. and Canada only.
Aspect Ratio: 2.35:1
Number of discs: 1
Rating: R
Studio: Lions Gate
DVD Release Date: June 17, 2003
Run Time: 91 minutes
ASIN: B000092T3U
Clever, engaging, and boosted by the sublime casting of Willem Dafoe as Nosferatu actor Max Schreck, Shadow of the Vampire is a film full of good ideas that are only partially developed. Its premise is ripe with possibilities, but the movie's too slight to register much impact, so you're left to relish its delightful performances and director E. Elias Merhige's affectionately tongue-in-cheek homage to a landmark of German silent cinema. John Malkovich is aptly loony as the eccentric director F.W. Murnau, whose passion in filming the 1922 classic Nosferatu leads to the extreme casting of Schreck as the vampire, a vision of evil who, in this movie's delightfully twisted imagination, actually is a vampire, sucking the blood of cast and crewmembers who've dismissed Schreck as an overzealous method actor.
As these on-set maladies and "accidents" continue, Schreck wields greater control over Murnau, who descends into a kind of obsessive art-for-art's-sake madness until diva costar Greta Schroeder (Catherine McCormack, doing wonderful work) is served up as the actor's ultimate motivation. Merhige and his actors (including Cary Elwes, as intrepid cameraman Fritz Wagner) have great fun with this ghastly escapade, and the humor is kept delicately subtle to balance the movie's artistic aspirations. To that end, Dafoe is just right, his bald pate and gaunt features a perfect match for the mysterious Schreck, his grimace and talon-like fingers suggesting a human vulture on the prowl. Likewise, the re-creation of Nosferatu's expressionist style is both fanciful and brilliantly authentic. Too bad, then, that this movie suffers a mild case of vampiric anemia; if it shared the depth and richness of, say, Ed Wood, this might have been a cult classic for the ages. --Jeff Shannon
From The New Yorker
Or, how to blow a really good idea. The director E. Elias Merhige, noting the deathless appeal of F. W. Murnau's "Nosferatu," has decided to re-create the making of the film. We are transported to nineteen-twenties Berlin for scenes of dreary decadence and from there to a rural movie set, where the obsessive Murnau (John Malkovich) struggles to control the eccentric conduct of Max Schreck (Willem Dafoe), his leading man. "Nosferatu" was one of the earliest "Dracula" adaptations, and it remains the best, but you would never know that from the amateurish mania that prevails here. Merhige buys happily into the rumor that Schreck was a real vampire-bad news for Catherine McCormack, who plays the love interest, and finds that Schreck is only interested in her neck. -Anthony Lane
Copyright © 2006 The New York
