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  • Poetry(352)
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The suddenly in the tenth oral or sung, is a phenomenon that even critics of the art studio. The "already and now" of the poet in a dispute, is beset by musical notes and a tres guitar accompanist, who forward in time what the poet should say so in the eight-syllable timed. I mean to be born for that. Although there are schools to teach the sudden, I ask myself, but how, how it is accomplished by "doing" a poet with such very special conditions. I know from reading that there are men and women with little knowledge of history, or science, or anything in philosophy, however, say one tenth to a depth that one is really shocked.

El repentismo en la décima oral o cantada, es un fenómeno que aún los críticos del Arte estudian. El “ya y ahora” del poeta en una controversia, es acuciado por las notas musicales de un tresero y el guitarrista acompañante, quienes adelantan en el tiempo lo que el poeta debe decir de manera cronometrada en los octosílabos. Digo que hay que nacer para eso. Aunque ya hay escuelas para enseñar el repentismo, yo me pregunto, pero cómo, de qué manera se logra “hacer” a un poeta con esas condiciones tan especiales. Conozco por lecturas, que hay hombres y mujeres sin gran conocimiento de la historia, ni de la ciencia, ni nada de filosofía, y sin embargo dicen una décima con una profundidad tal que uno queda pasmado realmente.
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