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1975 Jorge Dumas' "Tejedora" (Weaver) Lithograph 24" X 30", Expressionistic
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Jorge Dumas' "Tejedora" (Weaver) is a color lithograph from around 1975, depicting a cubist-style portrait of a woman at a loom. Jorge Dumas (Uruguayan, 1928–1985) created this signed and numbered limited edition (typically editions of 250 or 300), printed at his Atelier Dumas in New York and often associated with publishers like Circle Fine Arts or Circle Gallery. Current Market Value No exact "gallery price" (original retail from the 1970s–1980s).
Artist: Jorge Dumas (1928 - 1985)
Title: "Tejedora" (Weaver)
Medium: Lithograph
Year: 1975
Date Created: Contemporary
Size: 24" X 30"
Condition: Very Good, no damage, no repairs
Edition: AP
Style: Modern/Expressionistic
Movement: Modernism
Influences: Expressionism, Fauvism, German Expressionism, Post-Impressionism, Abstract Expressionism
Gallery Price: $400 to $800
Current secondary market retail prices through galleries and dealers typically range from $400 to $800 USD for similar signed Dumas lithographs in good condition, depending on edition number, framing, and provenance.Comparable examples (e.g., "El Retorno," "Jugentud," or other 1975 editions).
Description
The artwork depicts a woman seated at a loom, engaged in weaving a rug. The style is characterized by bold, simplified forms and a distinctive color palette. The woman's features are stylized, and the loom is constructed with thick lines and geometric shapes. The color scheme is somewhat muted, with a mix of blues, greens, grays, and touches of yellow and red. The overall composition is flat and graphic, suggesting a printmaking process.
South American artist Jorge Dumas was born in Montevideo, Uruguay. The earlier part of his career was spent studying under fellow Uruguayan painter and “father of Latin American Constructivism,” Joaquin Torres Garcia. During these early years of Dumas’s career, in the Cubist tradition, his unique abstract paintings did not deal with the human form in a representational manner. The eventual shift to his now notable delineation of the human form was prompted by his travels to the South American countries of Bolivia and Peru, after having lived with gypsies and miners. In the mid-sixties, while teaching painting and drawing, Dumas still found himself haunted by his impressions of the people and events encountered during his travels. The remnants of these influences allowed Dumas’s work to transform into his unique abstract style that he is known for today. Dumas leaves behind a legacy reminiscent of the Mexican School, yet so quintessentially his own. His impressive paintings, lithographs, prints, etchings, and collographs have been exhibited in major international and American cities.
Artist: Jorge Dumas (1928 - 1985)
Title: "Tejedora" (Weaver)
Medium: Lithograph
Year: 1975
Date Created: Contemporary
Size: 24" X 30"
Condition: Very Good, no damage, no repairs
Edition: AP
Style: Modern/Expressionistic
Movement: Modernism
Influences: Expressionism, Fauvism, German Expressionism, Post-Impressionism, Abstract Expressionism
Gallery Price: $400 to $800
Current secondary market retail prices through galleries and dealers typically range from $400 to $800 USD for similar signed Dumas lithographs in good condition, depending on edition number, framing, and provenance.Comparable examples (e.g., "El Retorno," "Jugentud," or other 1975 editions).
Description
The artwork depicts a woman seated at a loom, engaged in weaving a rug. The style is characterized by bold, simplified forms and a distinctive color palette. The woman's features are stylized, and the loom is constructed with thick lines and geometric shapes. The color scheme is somewhat muted, with a mix of blues, greens, grays, and touches of yellow and red. The overall composition is flat and graphic, suggesting a printmaking process.
South American artist Jorge Dumas was born in Montevideo, Uruguay. The earlier part of his career was spent studying under fellow Uruguayan painter and “father of Latin American Constructivism,” Joaquin Torres Garcia. During these early years of Dumas’s career, in the Cubist tradition, his unique abstract paintings did not deal with the human form in a representational manner. The eventual shift to his now notable delineation of the human form was prompted by his travels to the South American countries of Bolivia and Peru, after having lived with gypsies and miners. In the mid-sixties, while teaching painting and drawing, Dumas still found himself haunted by his impressions of the people and events encountered during his travels. The remnants of these influences allowed Dumas’s work to transform into his unique abstract style that he is known for today. Dumas leaves behind a legacy reminiscent of the Mexican School, yet so quintessentially his own. His impressive paintings, lithographs, prints, etchings, and collographs have been exhibited in major international and American cities.
