[unread] COME, KILLER, COME 1972 P206 GAY PARISIAN PRESS Gay Pulp Vintage Paperback PAUL LAURIE

This is a rare unread vintage and out of print copy of COME, KILLER, COME (P-206) written by PAUL LAURIE in 1972 for the series of gay pulp paperback books published by PARISIAN PRESS and distributed by LE SALON.

Two men sauntered casually over to the bar and stood next to Gary. The marine tech sergeant placed at the glass in front of Gary and then at the clock on the wall. "Booze at noon,” he said in a friendly manner, "I suppose you've got a special liberty?" "Complete--permanent--total liberty," Gary said evenly. Gary reached for his back pocket to produce the small, laminated copy of his discharge."

"One thing he knew--he no longer had to fear the results of his urges. His last six months in the corps had been as a brig guard. During that time he witness, and actually taken part in, the harassment of the men who had been trigged for involvement in homosexual activities. The hypocrisy of his confinement of the maltreatment of those prisoners was a black scar on his conscience.

"Hello corporal," the greeting was given by a young man dressed, as was Gary, in slacks, sport shirt, sweater and glistening shoes. Gary turned and looked at the man who had greeted him. He looked familiar bu, for a moment, Gary couldn't place him. Then he remembered.

"The blond youth with the broad, full muscled shoulders that stood nude, at attention, under an icy showers, both privates, had enjoyed themselves by ordering him to shout at the top of his lungs, "I am a fruit! I am a cocksucker! I am a fairy!"

Much of the cover art featured on gay pulp novels is amateurish and likely produced in rapid order, though notable covers are not uncommon with a number of illustrations clearly produced in the style of iconic gay illustrator TOM OF FINLAND. Other significant artists of the period include gay illustrators REX, CRAIG ESPOSITO, HARRY BUSH, ADAM and CARL CORLEY, along with remarkable mainstream illustrators ROBERT BONFILS, BILL ALEXANDER and GENE BILBREW.

Gay pulp paperbacks existed before the 1960s but their popularity and distribution was limited despite the explosion of the cheap format following World War II. While the lax stance on censorship due to the vast output by publishers and the perceived "low-brow" nature of the material allowed for some homosexual themes or subtexts, most such novels were rare, unlike lesbian novels which found mainstream appeal with both women and men. Earlier stories or novels on gay themes had to be dressed up in the trappings of respectability, typically with protagonist harboring bisexual conflicts that ended with them overcoming their "affliction" or succumbing to it with the resultant social and professional ruin or death.

As the popularity of the gay paperback increased in step with the decline in publisher's concerns about prosecution, the subject matter began to expand. To stand out in the increasingly crowded market and to meet the varying tastes of their readership, publishers began adopting specialized genres such as BDSM, older and younger men together, interracial relationships, and roleplaying (bikers, sailors, soldiers, etc.). While explicit sexually remained the driving force in many of these stories, some began to take on additions dimensions with the emergence of genres such westerns, detective fiction, spy thrillers, war stories, and tales of prison and Richard Amory's hugely popular and influential Loon Trilogy, set during the historical Old West and featuring Native American characters.