Great Original Re-strike Black & White Photograph measuring 8” x 10” with the 20th Century Fox Motion picture mention in the border of the bottom. This photo features a shirtless TYRONE POWER in a torture scene with Henry King,from the classic1942 Swashbuckling adventure film,The Black SwanWhen notorious pirate Henry Morgan is made governor of Jamaica, he enlists the help of some of his former partners in ridding the Carribean of Buccaneers. When one of them apparently abducts the previous governor's pretty daughter and joins up with the rebels, things are set for a fight. Director: Henry KingWriters: Ben Hecht , Seton I. MillerCast Complete credited cast:Tyrone Power ... Jamie Waring Maureen O'Hara ... Lady Margaret Denby Laird Cregar ... Capt. Sir Henry Morgan Thomas Mitchell ... Tom 'Tommie' Blue George Sanders ... Capt. Billy Leech Anthony Quinn ... Wogan - Leech's First Mate George Zucco ... Lord Denby When notorious pirate Henry Morgan is made governor of Jamaica, he enlists the help of some of his former partners in ridding the Carribean of Buccaneers. When one of them apparently abducts the previous governor's pretty daughter and joins up with the rebels, things are set for a fight. Photofeatures a great image of the two leads. It’s a nice looking photograph for fans of this film!MORE INFO ON TYRONE POWER: Tyrone Edmund Power, Jr. (May 5, 1914 – November 15, 1958), usually credited as Tyrone Power and known sometimes as "Ty Power", was an American film and stage actor who appeared in dozens of films from the 1930s to the 1950s, often in swashbuckler roles or romantic leads such as in The Mark of Zorro, Blood and Sand, The Black Swan, Prince of Foxes, The Black Rose, and Captain from Castile. Though renowned for his dark, classically handsome looks that made him a matinee idol from his first film appearance, Power played a wide range of roles, from film noir to light romantic comedy. In the 1950s, he began placing limits on the number of movies he would make in order to have time for the stage. He received his biggest accolades as a stage actor in John Brown's Body and Mister Roberts. Power died from a heart attack at the age of 44. Born in Cincinnati, Ohio in 1914, the only son of the English-born American stage and screen actor Tyrone Power, Sr. and Helen Emma "Patia" Reaume, Power was descended from a long theatrical line going back to his great-grandfather, the Irish born actor and comedian Tyrone Power (1795-1841). He had French blood from both his parents, being descended from Catholic French Canadians through his mother's Reaume family, and from Protestant Huguenots through his paternal grandmother's Lavenu and Blossett ancestors. Through his paternal great grandmother, Anne Gilbert, Power was related to the actor Sir Laurence Olivier; through his paternal grandmother, Ethel Lavenu, he was related by marriage to author Evelyn Waugh and through his father's first cousin, Norah Emily Gorman Power, he was related to the theatrical director Sir (William) Tyrone Guthrie, founder of the Stratford Theatre in Canada and the Tyrone Guthrie Theatre in Minneapolis, Minnesota. During the first year of Power's life, he lived in Cincinnati. His father was absent for long periods caused by his stage commitments in New York. Young Power was a sickly child, and his doctor advised his family that the climate in California might be better for his health. The family moved there in 1915, and Power's sister Anne was born there on August 26, 1915. The parents appeared together on stage and, in 1917, their movie, The Planter, was released. Tyrone Power, Sr., as he later became known, found himself away from home more frequently, as his stage career took him to New York. The Powers drifted apart, and they divorced around 1920. After the divorce, Patia Power worked as a stage actress. In 1921, at the age of 7, young Tyrone appeared with his mother in the mission play, La Golondrina, at San Gabriel, California. A couple of years later the family moved back to Cincinnati, where they lived with the family of Patia's aunt, Helen Schuster Martin, founder of the Schuster-Martin School of Drama. Power's mother supported her family as a drama and voice coach at the Schuster-Martin School. For several years she coached her son in voice and dramatics during her spare time Power grew up in the Martin household with his two cousins, Roberta and William [Bill], the children of his mother's aunt Helen and her husband, William Martin. Power went to Cincinnati-area Catholic schools and graduated from Purcell High School in 1931. Upon his graduation, he opted to join his father to learn what he could about acting from one of the stage's most respected actors. Tyrone Power joined his father for the summer of 1931, after being separated from him for some years due to his parents' divorce. His father suffered a heart attack in December 1931, dying in his son's arms, while preparing to perform in The Miracle Man. Tyrone Power, Jr., as he was then known, decided to continue his pursuit of an acting career. He went door to door, trying to get work as an actor, and, while many contacts knew his father well, they offered praise for his father but no work for him. He appeared in a bit part in 1932 in Tom Brown of Culver, a movie starring actor Tom Brown. Power's experience in that movie didn’t open any other doors, however, and, except for what amounted to little more than a job as an extra in Flirtation Walk, he found himself frozen out of the movies but making some appearances in community theater. Discouraged, he took the advice of friend, Arthur Caesar, to go to New York to get experience as a stage actor.Tyrone Power with Ethel Merman in a trailer for Alexander's Ragtime Band (1938) Along the way, he stopped in Chicago, where his friend, Don Ameche, a radio personality, convinced him to stay awhile to work in radio. He wasn’t able to get a foothold in radio, however, and he eventually went on to New York. There, he met Katharine Cornell, the great stage actress, who cast him as an understudy for Burgess Meredith, for the play, Flowers of the Forest. A better stage break came, though, when Cornell put him in the role of Benvolio in Romeo and Juliet. During this time, Hollywood scouts saw him and offered him a screen test. Katharine Cornell advised against going to Hollywood, without a little more stage experience, and Tyrone Power took her advice. Cornell gave him a substantial role in her next stage play, St. Joan. Once again, Hollywood scouts saw him and offered him a screen test. Cornell told him that he was ready. Tyrone Power went to Hollywood in 1936, where he was signed by 20th Century-Fox. He would be their top leading man for years to come. He got a false start at 20th Century-Fox, though, when he was assigned to Sing Baby Sing, at the request of Alice Faye, already a star for the studio. The director, Sidney Lanfield, didn’t recognize his potential and removed him from the cast, telling him that he should find another line of work, as he would never become an actor. Faye intervened again on his behalf, and she convinced the studio to give him another chance. He was assigned to a small part in Girls’ Dormitory. In this movie, he caught the eye of many fans, among them Hedda Hopper, who stayed for a second showing to find out who the young man was with just a few lines at the end of the movie. Following that, he was cast in a slightly larger part in Ladies in Love, which starred Janet Gaynor, Constance Bennett, and Loretta Young. It looked as though 20th Century-Fox was not going to pick up his option, however, and Tyrone Power then went to the office of director Henry King to ask him to consider him for a role. King was impressed with his looks and poise, and he insisted that Tyrone Power be tested for the lead role in Lloyd's of London, a role thought to already belong to Don Ameche. Despite Darryl F. Zanuck's reservations, he decided to go ahead and give him the lead role in the movie, once Henry King and Fox editor, Barbara McLean, convinced him that Power had a greater screen presence than did Don Ameche. He was fourth billed in the movie, but he had by far the most screen time of any actor. He walked into the premiere of the movie an unknown, and he walked out a star, which he stayed for the remainder of his career. Jesse James, played by Tyrone Power, listens to Bob Ford, played by John Carradine, in a scene from Jesse James (1939) Tyrone Power racked up hit after hit from 1936 until 1943, when his career was interrupted for military service. In these years, he starred in romantic comedies such as Thin Ice and Day-Time Wife; in dramas such as Suez, Blood and Sand, The Rains Came, and In Old Chicago; in the musicals, Alexander's Ragtime Band, Second Fiddle, and Rose of Washington Square; in the westerns, Jesse James (1939) and Brigham Young; in the war films, Yank in the R.A.F. and This Above All; and, of course, the swashbucklers, The Mark of Zorro and The Black Swan. Jesse James was a very big hit at the box office, but it did receive some criticism for fictionalizing and glamorizing the famous outlaw. The movie was shot in and around the Pineville, Missouri area and was Power's first location shoot and his first Technicolor movie. Before his career was over, he would have filmed a total of 16 movies in color, including the movie he was filming when he died. He was loaned out once, for MGM for 1938's Marie Antoinette. Darryl F. Zanuck was angry that MGM used Fox's biggest star in what was, despite billing, a supporting role, and he vowed to never again loan him out. Though Power's services were requested for the role of Ashley Wilkes in Gone with the Wind, Joe Bonaparte in Golden Boy[3], Paris in King's Row, by Harry Cohn for several films throughout the years, and by Norma Shearer herself for her planned production of The Last Tycoon to play Irving Thalberg, Zanuck stuck by his original decision. He was na